PDF document:
http://graeca.mrezha.net/upload/Montr...
melodos document:
http://graeca.mrezha.net/upload/Montr...
Kliton is also known in Oriental music as "Nisambour".
There are a number of variants, ranging from very small Di-Ga and Di-Bou, to larger ones (presented here), +/- higher Pa. A LARGE DI-KE is indispensable: without it, the melody sounds too flat, and requires altering the Di-Ga and Di-Bou intervals. Higher Ni-Pa should be large as well (perhaps not a large as the Di-Ke presented here), and so should be Pa-Bou (perhaps not a large as the Di-Ke presented here).
Interval played are shown on the right, using an octave of 72ET units (1200 cents), where 1/72 ET = 16,7 cents.
A number of 1/72 ET = 16,7 cents ACCIDENTS have been added, and, despite diverging opinions in Psaltiki Theory books (some of which even claim that differences as large as 4/72 ET = 66,7 cents are NOT AUDIBLE !!!!! ["theory" according to KARAS... the great FALTSOS singer of Greek music]), such 1/72 ET = 16,7 cent ACCIDENTS actually make an ENORMOUS difference. Although they do not appear in the score, they are present in the midi file you are listening to.
Kliton is the mode of Apostolos and Evangelic readings, and is as an important mode as the "similar thirds" variant of second mode, at least as concerns the clergy's ecphonetic system.
GKM Psaltis Composition Melodos Leitourgika mode Kliton gkm developments | |
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